Streaming's economics have turned psychedelic music from a genre of genuine innovation into a market for algorithmic nostalgia and AI-generated fakes, exposing how profit - not authenticity - decides what we hear.
Streaming's economics have turned psychedelic music from a genre of genuine innovation into a market for algorithmic nostalgia and AI-generated fakes, exposing how profit - not authenticity - decides what we hear.
Annabelle Abraham argues that Keats' concept of "negative capability" - the capacity to tolerate uncertainty without grasping for premature explanations - offers a valuable framework for navigating psychedelic experiences, integration, and life's mysteries more broadly.